Cove Park Residency Scotland UK

In July 2019 I completed an artist residency at Cove Park, Peaton Hill, Argyll & Bute , a remote location on the west coast of Scotland. The weather was invigorating , the site stunning and the creative company stimulating.I was in residence with performance artist, MVBrown, poet, Conor Cleary, textile artist, Raisa Kabir, and sound artist Natalia Papaeva among others.

Daily walks around the surrounding area of Loch Long, observation of the local life and use of the facilities of shipping container sleeping quarters and studio workshop proved fruitful.

A unique environment and the scope for total immersion in the creative process was a welcome and daunting experience. Self discipline, focus and control were all essential in the idyllic surrounds. I created a body of work drawing on the landscape and found objects for inspiration . As a traveller I also utilised the limited objects in my luggage or charity shop and cheap chain store purchases as my resources.

It taught me the value of spontaneous creative practice, using my ability and training to work intuitively and resourcefully from a minimum of materials . The creative process was further enhanced by the interaction with fellow creative practitioners. I valued my time spent at Cove Park and realise that artists residencies are a rare and necessary nurturing opportunity.

Wrapped

I hung sixty metres of silver polyester fabric and covered a floor with fluoro sticky paper  to create an installation in a small enclosed space as a trial for studio practice.

wrapped
wrapped

I am interested in corrupting spatial boundaries , exploring materiality and finding a use for discarded fabrics or commercially unviable materials. 

Projection
Projection

I also use films I have made to create projections onto the surface of the materials to explore and develop an investigation of colour and light.

Installation
Installation

Reflection

My time at Victoria University, studying the Visual Arts Diploma 2014, is drawing to a close. The studios are swept, work is displayed, and final submissions are being pulled together. Tomorrow is the Final Assessment Day, other assessments having already taken place last week. Relief washes over most, as the door is closed on a years work. A period of nervousness will ensue, indecision being the lot of most visual artists

 Prize
Prize

no limit
no limit

Hope is writ large as we scramble to secure one of the Fiona Myer Travel, or folio awards. It is with some sadness I will bid farewell to my fellow classmates. Much of their work is exemplary, and I expect their imagery will stay with me through the years. I hope to see their trajectory rise, all of these “bright stars”. I will retain my fond memories of them as VU collaborators, and thank them all, they have taught me much.

My Artistic Practice 2014

In this blog I want to describe my artistic practice at the beginning of 2014, and my artistic practice at the conclusion of 2014.

studio vu1
studio vu1

I am an inveterate collector. I  use found objects in my art, and to inspire me. My visual diaries, are a record of my daily journeys. They record, and sometimes act as a repository of my found objects. The focus of my artistic practice in 2014, has been beach washed detritus. Specifically I have used destroyed, aged, sea washed,rusted, crushed, and tattered cans. My work has involved sculptural pieces, using plaster, and metal frameworks amongst other found objects. I have completed a folio of many paintings, drawings and prints, based on cans, at various levels of decay. My printmaking work has also embraced the theme of destroyed, abandoned, and deserted post industrial landscapes, such as Detroit, USA , Cockatoo Island, Australia, and Hashima Island, Japan.

studio vu2
studio vu2

At the completion of my 2014 studies, I believe I have produced a cohesive body of work, that addresses my principles of the use of the damaged found object, ie cans, and has directed a burgeoning interest in the post industrial landscape. I have learnt many new skills, eg; drypoint, intaglio printmaking, and re-awakened old ones of life drawing, and perspective placement. Involving myself in a daily training environment has been most beneficial, as has access to a brilliant studio space. I look forward to completing my studies in 2015, particularly in the area of painting.

Final Submission

VU Now 2014 Invitation
VU Now 2014 Invitation

It has finally arrived. Our final folio submission. Months of hard work, dedication, studio toil , self doubt and creative output are drawing to a close.

my studio work
my studio work

Gruelling final hours, are being put in at the studios, as final touches are added to works, tweaking of folios, and stretching ourselves to the limit is occurring, in a final, vain, effort to get our work just right. Its a long, difficult, and laborious process and one that doesn’t come easily. Mountains of work has to be sifted through, pieces selected and finals displayed in our cramped, newly cleaned studio spaces. I spent the better part of my Saturday cleaning, choosing, tweaking and self doubting. Pinning countless pieces to the walls, I marvel at my huge output but obsessively question the value of the work and the validity  of my artistic statement. An inveterate collector, recycler and re-houser, my work tends to overwhelm even me and I find my creative output massive and un-harnessable. Its excruciatingly difficult putting your life on the line, figuratively not actually. Always questioning, seeking solution and completion, whilst  perpetually searching and depicting, is the artists lot. No arrogance or bravado for this mature age student, just hard graft, my resilient work ethic pushed to the limit. Whilst I envy the exuberance and arrogance of the young practitioners on my course, I value my experience, my compulsion for my work, and my questioning, and restless mind. I am impatient now, want the assessment to be over, and want to house my work and establish a working space over the long summer break. I have enrolled in a framing course at the CAE, over the next month as I wind down, and share my burgeoning mound of prints, drawings and paintings, with friends  and family.

Mawkish sentimentality aside, goodbye VU, 17th Floor Studio Space, its been a bumpy ride, you’ve taught me a lot, and witnessed many upheavals in my daily life, and whilst I’ll miss you, I am lucky enough to be re-visiting you in 2015.

Studio Space

A studio space has been enjoyed for the second half of 2014, by grateful VU students. It on the 17 th Floor, 300 Flinders St, commanding great views over the city, and giving us a taste of what its like to work in a commercial studio space. Most days it has provided a refuge, an escape, a study retreat, a repository of our efforts, and an inspiring place to work. A unique view of the CBD, is afforded us on three sides of the building.

 

nicholas building 1
nicholas building 1

Looking east across Swanston st , to Russell st and beyond , offers the interesting sight of the back of the dilapidated, iconic, Nicholas Building, resplendent with graffiti, and damaged fittings, and fixtures .

cbd
cbd

A northern aspect reveals, modern apartments, complete with swimming pool, shadowed by 1970’s high rises of rounded concrete and many windows .

My view, which I consider to be the best, is West facing, and also offers a corner view of the South. The river, bay, and riverbank are revealed. It foreshortens the Casino, exposes parts of South and Port Melbourne, and extends to ” Jeff’s Shed ” and beyond on a ceaseless horizon .

I have relished this studio space, made it my own, and installed the essence of my work, the found object. Alas , it is now time to begin to pack it up, clean the area for the final presentation of folios ,and bid goodbye .

Whilst I am sad to leave, I know it is not the final adieu. Being a part time student in 2014, I will return to complete my diploma in 2015. As a painting student, I will be afforded the luxury of again using a studio space, at VU.