These and other pieces by working Australian artists are featured in the “Lurid Beauty Exhibition” currently showing at the NGV’s Ian Potter Centre, Federation Square. Many of my favourite Australian artists are showing including Pat Brassington, a Tasmanian photographer and printmaker whose work features disembodied parts of the female body.
Exhibitors include Rosslynd Piggot, whose massive white bed imposes an improbable and powerful presence above the space inviting all to dream.
The gorgeous black and white photography of Max Dupain of the 1950’s models portrays images of a graceful and bygone era.
Early collage work by Sidney Nolan and David Noonan are featured. A taxidermied black cat waves goodbye to us at the end of the show. It looks like a stage prop or TV show persona and not a gallery piece. Such is the depth and wonder of this show my eyes were opened to works by artists I knew but didn’t know were part of the Dada and Surrealism movements. Being removed from Europe and the USA these artists created their own version of the movement. It is a brilliant show and many of these influential artists are currently teaching and working in Australia.
I found particularly poignant and whimsical the installations by Judith Wright in the foyer. They are assemblages of found objects of childhood relics eg horses heads, child’s toys and a rowboat. These works depict the loss of her child, and are the artists imaginings of how her child’s life would be if she had lived and grown through childhood.
This exhibition educated and exposed me to a vast area of work by Australian artists working in a wildly inventive field of exploration.